11/18/2023 0 Comments Spanish composer isaacIts three movements are heavily indebted to the themes of Impressionism and the orchestral style of the New French school, especially in the "Spanish-flavored" works of Debussy and Ravel. With Noches, Falla contributed a new orchestral language to emerging Spanish symphonic writing. The transformative impact of Paris on Falla is evident in his major work from this period, a series of nocturnes for piano that were converted into movements for piano and orchestra- Noches en los jardines de España (1909-15). These contacts facilitated Falla’s exposure to the Parisian “avant-garde” and provided him with a supportive audience for the presentation and refinement of his music and ideas. Falla’s induction into the circle of Les Apaches-a progressive group of artists-was made possible by the Spanish pianist Ricardo Viñes, and led to friendships with Maurice Ravel and Igor Stravinsky, and involvement with the Serge Diaghilev’s Ballets Russes. He also met the Spanish composer Isaac Albéniz, who urged Falla to draw on his Andalusian (or Southern Spanish) heritage. A key advocate for the creation of a national opera repertory, Pedrell laid the foundations for Falla’s first mature work, the prize-winning opera La vida breve (1905).įalla moved to Paris in 1907 and sought out the French musicians he most admired: Paul Dukas introduced Falla to Claude Debussy, and after hearing La vida breve both Dukas and Debussy encouraged him to study on his own and offered their assistance. ![]() Under Pedrell’s guidance Falla’s horizons were expanded through the study of folk music and Spanish musics of the past, the musical procedures of contemporary European composers, and learning to write for orchestra. The decisive encounter for the composer came in the early years of the new century, when he studied privately with the key figure of Spanish musical nationalism, Felipe Pedrell. By the 1890s Falla had moved to Madrid in order further his musical studies in piano and composition, taking his first steps as a professional performer and composer of género chico zarzuelas (or short operetta-like stage works). ![]() During the interwar period of the 1920s and 1930s he was a leading light of cosmopolitan musical modernity.īorn into a family of Cádiz’s merchant class in 1876, Falla claimed that his earliest musical memories were of the songs, dances and stories of his nursemaid “La Morilla.” While his early artistic efforts were directed towards art and literature, he went on to study and excel in piano and harmony. ![]() And yet it would be a mistake to think of Falla solely as the quintessential Spanish composer, as his music more closely reflects the developments of the Parisian avant-garde in the first quarter of 20th century than that of any of his Hispanic colleagues. Manuel de Falla (1876-1946) was arguably Spain’s most famous composer, gaining widespread recognition in a country more renowned for its literary and visual artists in the late 19th and early 20t centuries.
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